Past
History.
The
origin of Martial Arts goes way back into history.
They
have been many, many forms throughout the ages, developed by different cultures
and different people.
It is not my intention, to go into any great
depth into these forms but it is my intent to shed some light to the formation
of 'the Way of Moving'.
Many
believed nowadays that all Martial Art originated in the Orient.
Certainly
most of the popular forms, have the roots in this area but Martial Art has been
practised by many others throughout history.
It
is known that the Romans and Greeks had their form of combat in Greco Roman
boxing and that the British had Catchers Catch Can, a form of wrestling and the
French Savate.
Bare-knuckle
fighting has been practised in Europe for hundreds of years also.
However
most of the modern styles are based on the work of several eminent Japanese,
Korean and Chinese masters who practised in the early part of the last century.
Their
styles were based on the teachings, that used to be taught as part of Buddhism.
This
religion was brought into China by a priest called Bodhidrama, or Daruma, who
introduced the Buddhist scriptures to the Chinese, 1500 years ago.
This
religion, had as part of its teachings the art of meditation using breathing
control.
It
also had a teaching of a self-defence art, as part of the learning process.
Persons
learning this religion were required to learn both of these aspects, as it was
realised at that time, that all parts were necessary to develop increased
abilities within the brain and they benefited greatly by the practice of
meditation and prayer.
This
religion eventually came to Japan where it was developed into Zen Buddhism and
it is from these areas, that the modern day Martial Art came into being.
By the
beginning of the last century the Chinese have already separated the martial
arts into the four seasons of man.
These
were different types of Martial Art that were practised according to age and
ability.
The
Martial Art of Japan were split in the early part of the 20th century, to
separate the punching, kicking and blocking styles from the holds, locks and
throwing styles.
All
these were stylised to become entities in their own right and became the
separate systems of the martial arts that are practised today.
In
the 1920’s and 30’s a great deal of interest was paid by the West in Chinese
and Japanese practices, of all types but very little information was made
available to the Western world.
Recent
History.
After
the Second World War, Japan was opened up to outside influences and the
knowledge, that for so long had been kept in Japan, started to be made known.
Many
practitioners, of these Art's, made tours of Europe and America and
demonstrated the techniques, that comprised their art.
Americans
and Europeans were very keen to learn and understand these different fighting
systems and it soon became very popular, with many clubs and societies starting
to cater for this need.
Very
soon after this, Martial Arts started to become commercialised under the
influence of some Americans and Europeans.
Because
of this many of the styles wanted to produce Black Belts as quickly as possible
and it is now possible in England, in some of the styles, to obtain a Black
Belt in 18 months!
Because
of the introduction of sport into Martial Arts, many of the techniques that
used to be taught as part of Martial Art training, have had to be removed from
the syllabuses.
The
reason for this is obvious because a lot of these techniques can only be used
in a self-defence situation and sometimes only when the threat of loss of life
is involved.
Also
it was found that it took too long to train many students to Black Belt level
because most cannot attain the physical and mental disciplines required when Martial
Art is taught correctly, at this level.
So
many aspects of Martial Arts were
removed entirely from the styles.
Many
of the modern styles now emphasise the need for competition and some of these
styles actively encourage pupils to be aggressive.
Moving
Forwards, Looking Back.
The 'Way of Moving' has come about because there was a need to re-evaluate the modern systems and bring back many aspects, that used to be taught and have been omitted, over the course of the last 40 years.
The
most important of these being the teaching and practice of breathing technique.
It
was also necessary to combine the Striking arts, the Locking arts with Throwing
arts, into one system, so they may be learned and used in conjunction with each
other and not practised in isolation.
Probably
the most important aspect, of this method of teaching Martial Art, is to
educate the student so that they become knowledgeable, rather than aggressive.
The
state of Martial Art now has now changed into something that the original
masters would have found appalling.
The
History of 'The Way'.
I
had been studying at Martial Art since 1972 and felt it was time to pass on the
techniques and knowledge that I had gleaned, in the course of my Martial Arts journey,
to that date.
I
had trained, initially, in a Japanese type style and this is when I initially
achieved my Black Belt level.
I
left the style after becoming very disillusioned with the politics of the
hierarchy, especially with the more senior members.
Suffice
it to say, that I found some of their antics, at the very least, un
gentlemanly.
Elements.
I
travelled and tried the different styles of the Striking, Throwing and
Avoidance and realised that, although they were taught independently, they all
had certain common denominators.
At
that time and to my knowledge to this date, each of the styles assumed that
their's was the 'panacea' of Martial Art.
I
found this ludicrous because it is how good the individual is and not the style
itself, which forms the judgment.
I
also found that there were elements missing, from the styles I studied.
Breathing
Technique was, perhaps, the most noticeable.
I
was not, in fact, taught correctly about breathing before I reach my Black Belt
level and only found out about it, when I had a very serious problem occur,
whilst training, because of the lack of this knowledge.
We
now, teach this as an integral part of the beginner's course.
I
could also not understand that I had not been taught to break fall.
The
attitude of the instructors was simply, 'you don't land up on the floor, when
you use this style'.
This
again, is complete nonsense, as anybody who has ever had to use self-defence
knows.
It is
so easy, in the heat of the moment, to slip and lose one's footing.
This
attitude to was copied by the Throwing styles too.
They
were not being taught how to punch and I can only suppose they assumed they
would never meet anyone who could do anything other than a Round House punch.
In
some of the styles Kicking technique and the Defence from kicking technique was
non-existent.
Through
all the styles, there was one underlying feature, the Stance's.
The
striking styles tended to over commit in Stance work and the Throwing styles
tended to use all short Stance work.
The
Origin.
So
I decided to try to rectify the situation, to the best of my ability.
I
had been trained as a Professional Mechanical Engineer in the early 1970s and I
use the information, that I had learned, to take apart, the various styles
which I had studied.
I
did this, found the factors they had in common and put them back together
again.
By
far the biggest change, however, was in the Stance work.
This
I analysed, not only stance change from short to long and back again, but also
the movement employed in the action of walking itself.
(This
is also covered within the sections on Healing and Breathing Technique).
This
I also refined and these refinements make, this style, (to my knowledge)
unique.
These
changes made it possible to effectively carry out the techniques of Striking,
Blocking, Throwing, avoiding using one 'Way of Moving'.
The
Energy Factor.
During
my studies of the various martial arts, I found that no one really seemed to
understand the word Chi (or Energy) and what it is.
There
is so much nonsense talked about this word, that I made a point of making sure,
that students are made aware of what it really is.
More
importantly than this, of what it really isn't.
There
are styles who think that they have invented 'Chi' and this again is nonsense.
With
a small amount of training, anyone can learn, what this force really is.
Confusion.
Many
people seem to get confused between 'Chi' (energy), Zen (knowledge), meditation
and religion.
I
for my part, I am not intent on giving information about the Zen phenomena.
This
is because this is a subject, that can only be approached by those who have
certain abilities.
Needless
to say, it's certainly exists and can, on occasions, be of great help.
Meditation
is approached in the section on breathing and this should only be taught by
persons, who have the correct abilities.
These
techniques, lay themselves open, to miss use and abuse.
It
is very easy to change these techniques into a mild form of brainwashing.
It is therefore very important that the
student retains the ability to distinguish dreaming from reality.
It
cannot be properly learned from a book and to learn it from someone who, does
not possess the correct knowledge, can be dangerous.
Religion.
The
last subject in this section is religion.
One
of the greatest problems with the 'Eastern message' is that, when it came from
the Orient to the West, Chi, Zen, meditation and religion, were all intertwined
with each other.
It
is easy to see why that such clever ideas and concepts and methods, never came
to anything of real consequence in the East.
Although,
they have great relevance in martial art and medicine, the quantum leap of
knowledge never seems to have been made, in the Orient.
Teaching.
So
with the teaching of this 'Way', the Eastern ideas have been separated and the
religious content removed.
These
subjects of then taught, each one, in its own right.
Once
this has been achieved, they can be put back together again, like a pieces of a
jigsaw and made to work together, properly.
In this
way, this is in fact, an opposite approach to the learning of the other part of
this martial art style.
The
belief and practice of religion of any sort is not practised or taught in any
way throughout the style.
It
is for each individual to hold to their own beliefs, or not, and they should
not interfere with a learning and practice of 'The Way'.
